Our video production toolkit
We like to keep things pretty simple when it comes to our gear. Mainly because we move fast and need to adapt quickly to changing environments. I want to get down to pure storytelling, and I feel that equipment can sometimes get in the way. I work with a lot of gear enthusiasts, and I absolutely love the knowledge and passion for tech that they bring to our productions. It’s essential for us to achieve the absolute best picture quality we can for each project so having that technical knowledge and skill set is crucial to our productions. It’s really about finding that perfect balance between the technical aspects that give you beautiful images and authentic storytelling. Whenever one outweighs the other, it’s time to take a step back and look at the big picture.
Now I realize that every production is different and each calls for specific gear build-outs, so we always tailor our gear to fit the production needs. That being said, here is an overview of what we typically bring when producing a documentary style brand video. This isn’t everything in our tool kit, but it’s the essentials.
Our video production must-haves
1. Camera Packages:
We keep it light with two shoulder-mounted Sony FS7s. I have found that the FS7 has the best ergonomics and picture quality for the type of work we are doing.
2. Lens Package:
We bring a variety of Canon L series lenses, but most the time you will find us using a 50mm, 35mm, and a 70mm-200mm.
3. Camera Support:
Yes, we own tripods, and no we don’t use them often. But when we do we are on a couple of Sachtlers. These tripods can withstand abuse. Mine personally has been at the bottom of the Indian Ocean, and it’s still kicking.
4. AKS Kit:
This one case holds our Sony RX100 water rig, Ronin M, Sony A7S, and DJI Mavic. These are great tools to have in your back pocket when filming. The case is small enough that it isn’t a burden to bring along and if an opportunity arises to jump in the water or get the bird in the air, you are ready to stoke the client out.
5. Light Kit:
We utilize natural light as much as possible but typically if we are indoors doing an interview we bring along a Kino Flo diva kit. This is a straightforward solution for 1-2 person interviews. It’s quick to set up and gives off a lovely soft light.
6. Audio:
We will typically bring an audio operator to capture sounds throughout the day. But if we are relying on only the interview audio for the film, we will bring a simple overhead stand with an Audio Technica AT897 boom microphone along with a couple Sennhesier G4 lavaliers.
Alright, there you have it. These are simple solutions to seemingly big productions that yield beautiful results. Film on!